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Born | June 28, 1937 Serodino, Argentina |
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Died | June 11, 2005 (aged 67) Paris, France |
Occupation | Novelist, writer |
Nationality | Argentine |
Education | law and philosophy |
Alma mater | National University of the Littoral |
Notable awards | Premio Nadal |
Juan José Saer (Serodino, Santa Fe, Argentina, June 28, 1937 – Paris, France, June 11, 2005) was one of the most important Argentine novelists of the last fifty years.
To download EL ENTENADO JUAN JOSE SAER PDF, click on the Download button. Llegan a tierra: Hay una discusion si deben ir al sur o quedarse en tierra.
Biography[edit]
Born to Syrian immigrants in Serodino, a small town in the Santa Fe Province, Saer studied law and philosophy at the National University of the Litoral, where he taught History of Cinematography. Thanks to a scholarship, he moved to Paris in 1968. He had recently retired from his position as a lecturer at the University of Rennes, and had almost finished his final novel, La Grande (2005), which has since been published posthumously, along with a series of critical articles on Latin American and European writers, Trabajos (2006). In the year 2012, a first installment of his previously unpublished working notebooks were edited and published as 'Papeles de trabajo' by Seix Barral in Argentina. A second volume soon followed, which was the result of five years of editing work by a team coordinated by Julio Premat, who wrote the introduction of the first volume. These notebooks allow readers a privileged insight into the creative processes of Saer. As critics point out, the books of Juan José Saer may be taken as a single 'oeuvre', set in his 'La Zona', a fluvial region around the Argentinian city of Santa Fé, populated by characters who are developed and become referential from novel to novel.
Saer's novels frequently thematize the situation of the self-exiled writer through the figures of two twin brothers, one of whom remained in Argentina during the dictatorship, while the other, like Saer himself, moved to Paris; several of his novels trace their separate and intertwining fates, along with those of a host of other characters who alternate between foreground and background from work to work. Like several of his contemporaries (Ricardo Piglia, César Aira, Roberto Bolaño), Saer's work often builds on particular and highly codified genres, such as detective fiction (The Investigation), colonial encounters (The Witness), travelogues (El río sin orillas), or canonical modern writers (e.g. Proust, in La mayor and Joyce, in 'Sombras sobre vidrio esmerilado').
His novel La ocasión won the Nadal Prize in 1987. He developed lung cancer, and died in Paris in 2005, at age 67.
Several of his stories were turned into movies by his students, including Palo y hueso (Stick and Bone, 1968) directed by Nicolás Sarquís,Cicatrices (Scars) directed by Patricio Coll and Nadie Nada Nunca (No, No, Never, 1998) directed by Raúl Beceyro.[1]
Bibliography[edit]
- El arte de narrar (1988) ISBN950-9840-06-8
- El arte de narrar : poemas, 1960/1975 (1977)
- El arte de narrar : poemas (2000) ISBN950-731-289-7
- Cicatrices (1969)
- El Concepto de ficción (1997) ISBN950-9122-48-3
- Cuentos completos, 1957–2000 (2001) ISBN950-731-321-4
- En la zona, 1957–1960 (1960) (2003) ISBN950-731-312-5
- El entenado (1983) ISBN950-617-006-1 – (1988) ISBN84-233-1632-7
- The event translated by Helen Lane (1995) ISBN1-85242-249-1
- Glosa (1986) ISBN84-233-1673-4
- La grande (2005) ISBN950-731-473-3
- Juan José Saer (1986) ISBN950-9106-78-X
- El limonero real : novela (1974) ISBN84-320-5312-0
- Una literatura sin atributos (1986) (1996) ISBN968-859-236-6
- Lo imborrable (1993) ISBN950-40-0092-4
- Lugar (2000) ISBN950-731-285-4
- La mayor (1976) 8432025151 – (1982) ISBN950-25-0641-3
- Nadie nada nunca (1980) ISBN968-23-0981-6
- La narración-objeto (1999) ISBN950-731-243-9
- Narraciones (1983) vol. 1 ISBN950-25-0666-9 – vol. 2 ISBN950-25-0667-7
- Nobody nothing never translated by Helen Lane (1993) ISBN1-85242-273-4 (pbk)
- Las nubes (1997) ISBN950-731-172-6
- La ocasión (1988) ISBN84-233-1618-1
- The One Before translated by Roanne Kantor (2015) ISBN978-1934824788
- Palo y hueso (2000) ISBN950-731-270-6
- La pesquisa (1994) ISBN950-731-104-1
- Responso (1964)
- El río sin orillas : tratado imaginario (1991) ISBN950-40-0066-5
- La selva espesa (1994) ISBN968-36-3995-X
- Trabajos (2005) ISBN950-731-480-6
- Unidad de lugar (1967)
- La vuelta completa (1966)
- The Witness translated by Margaret Jull Costa (1990) ISBN1-85242-184-3
- 'Shadows on Jeweled Glass' translated by Jim Hicks (The Massachusetts Review 51.1, 2010)
- The Sixty-Five Years of Washington (2010) Glosa, as translated by Steve Dolph ISBN978-1934824207
References[edit]
- ^Julián Stoppello and Eliezer Budasoff (October 14, 2009). 'Sobre Washington Nogueira, Tomatis y Pichón Garay'. Cultura en Paraná. Archived from the original on July 6, 2011. Retrieved November 8, 2010.
![Jose Jose](https://libros-gratis.com/wp-content/uploads/2016/07/la-pesquisa-juan-jose-saer.jpeg)
External links[edit]
- Biography: Argentine Literature (Spanish)
- Biography: El Poder de la Palabra (Spanish)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Juan_José_Saer&oldid=917492620'
- Adorno, T. W. (2004). Aesthetic theory (R. Hullot-Kentor, Trans.). London, New York: Continuum. (Original work published 1970).Google Scholar
- Avelar, I. (2000). Alegorías de la derrota. La ficción posdictatorial y el trabajo de duelo [The untimely present: postdictatorial Latin–American fiction and the task of mourning]. Santiago de Chile: Editorial Cuarto Propio.Google Scholar
- Avellaneda, A. (1989). Argentina militar: los discursos del silencio [Military Argentina: The speeches of silence]. In K. Kohut & A. Pagni (Eds.), Literatura argentina hoy. De la dictadura a la democracia [Argentine literature today. From dictatorship to democracy] (pp. 13–30). Frankfurt, Madrid: Vervuert and Iberoamericana.Google Scholar
- Benjamin, W. (1999). Illuminations (H. Zorn, Trans.). London: Pimlico. (Original work published 1970).Google Scholar
- Corbatta, J. (2005). Juan José Saer. Arte poética y práctica literaria [Juan José Saer. Poetical art and literary practice]. Buenos Aires: Corregidor.Google Scholar
- Díaz Quiñones, A. (1992). El entenado: las palabras de la tribu [The witness: The words of the tribe. Hispamérica,63(21), 3–14.Google Scholar
- Franco, J. (2002). The decline and fall of the lettered city. Cambridge, Mass.: Harvard University Press.Google Scholar
- Moraña, M. (2004). Crítica impura. Estudios de literatura y cultura latinoamericanas [Impure criticism. Studies of Latin-American literature and culture]. Madrid and Frankfurt: Iberoamericana and Vervuert.Google Scholar
- Saer, J. J. (1997). La literatura y los nuevos lenguajes [Literature and the new languages]. In El concepto de ficción [The concept of fiction] (pp. 194–220). Buenos Aires: Ariel. (Original work published 1969).Google Scholar
- Saer, J. J. (2000). El entenado [The witness]. Buenos Aires: Editorial Planeta. (First published 1983).Google Scholar
- Zuidervaart, L. (1991). Adorno’s aestehtic theory. Cambridge, Mass: MIT Press.Google Scholar
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